C!TY System

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Recommendations

Practice Techniques

Train your mind instead of your fingers.
Transform the music you are playing and find interesting accidental combinations.

Your initial formula for navigating practice will be:

C!TY

  1. C - Count Ouloud
  2. ! - !nverting
  3. T - Transposing
  4. Y - You time
    • Counting Outloud
      • Fast and Slow
        • Getting a good grasp of the rhythm slowly is crucial
        • Use the metronome to push yourself to a higher pace
        • Slow practice is good, but you also have to be able to play fast. (See how fast you can play, and increase the tempo on your next practice session)
    • Transpose
      • Travelling Near, traveling Far
      • Starting with easy pieces, transpose your piece to other key signatures
      • Imagine a Tonality (a.k.a., a key like C Major) is like a country or a family with different people. Some countries or families have overlapping individuals (Chords). See more on Music Theory on our Resources page.
      • On the white keys:
        • C major - All white keys
        • D major - has F# and C#  (This is near)
        • E major - has F#, G#, and C#, D#
        • F major - has Bb (Flat)
        • G major - has F#
        • A major - has F#, G# and C#
        • B major- has C#, D#, and F#, G#, A# (This is Far)
    • !nverting
      • Right over left, left over right.
      • This is an incredible exercise that will make you smarter and more aware.
        • Inverting hands - Play with your left what you would with your right, and viceversa.
    • You time
      • Building Up, Building Down.
      • Have fun making patterns from your own music transforming them to create interesting combinations.
      • These are the building blocks of musical composition.
      • Never repeat mindlessly the same passage the same way.
      • Find little building blocks in your music and make a pattern out of them that can be repeated using a different starting key.
      • Change the pattern slightly. Have fun changing the notes around, inverting them, changing the rhythm, playing it backwards.
        E.g. just like a word can be inverted — breakfast to tsafkaerb- you can invert the notes in a melody and hear something very interesting.
        • Repeat rhythmical and melodic patters starting on different keys.
        • Use both hands- first with identical notes, then mirrored.
        • Invert the melody or the rhythm. If the notes go up, down, up, up. You play down, up, down, down.
        • Overlapping patterns- start a pattern with the right and enter in the middle of if with the left hand (more advanced)
    • Memorize (Extra step to make yourself more alert and smarter)
      • You'll never play to your maximum potential until you can detach yourself from what you are looking at. Memorizing is the ultimate step towards internalizing a piece of music, or anything else.
          • Start by memorizing small passages every day.
          • Set a target of memorizing one small piece every day. Doesn't matter how well. The more you do it, the better it'll get.
          • The beauty of memorizing music is that, there's no argument on whether you know the piece perfectly or not.
          • We'll have another section on how to prepare for performance. Sometimes, unexpected things happen and you must be ready.